"Choose a suitable design and hold to it."

I am a plotter. I think I've mentioned this before. I'm always amazed when I hear people say they just write by the seat of their pants. I can't even conceive of the idea of writing without knowing how something is going to end. Maybe it's my non-fiction background, or my academic bent, but for anything larger than flash fiction I have to have an outline. I think it was probably said best by those wise writing gurus Strunk & White. "Writing, to be effective, must follow closely the thoughts of the writer, but not necessarily in the order in which those thoughts occur."

This is not to say that I'm never carried away by a scene or character into something that I hadn't foreseen or planned. Much of the Alex Budge parts of The River Maiden were expanded based on the strength of the character as he appeared in my head while I was writing. Still, I start a project knowing where I will end and what things need to be covered along the way.

Now, I started writing The River Maiden years ago, and when I did I had a very useful mind mapping program that helped us turn abstract ideas into outlines. Unfortunately, since I no longer work for that company, I don't have access to that program anymore. So, now that I'm in the process of plotting the next book, and was looking for a way to get all of the various themes of this book that have been swimming around in my head into some sort of outline. I found a few methods for plotting a novel, including mind mapping as I had done before. But I also found the information about how to use a snowflake diagram.

That's a lot of very specific steps (so specific that they've now made software for it) that get down to more specifics than I'm ready for right now. Instead I'm using it help me layer the various themes of the plot. I have 6 main themes and each section is for outlining that theme and how it all fits together.  I built my own tool for using the snowflake diagram using a folding foam board.

This helped me brainstorm the different movements of the plot and how each of the main characters get to where they need to be at the end. Instead of going through all of those steps however useful they may be, I used the snowflake structure to organize my brainstorming. Since I've had some scenes running through my brain for a while now, this gives me a chance to get them out and organize the. Not all of these points of the snowflake have specific events lined up with them, but it does give me a look at what is needed to move Sarah and Dermot and company to where they will be at the end of this book. While brainstorming the plot, I used the side panels to note locations and characters who need to be fleshed out further. I did this with post-its on the board so that I can move things around as needed. This also enables me to use the board again for the next project (did I mention I'm cheap?).

Snowflaking as we've started to call it around here is becoming quite the thing. My six year old is even using it to plot her work-in-progress "The Day it Rained Kittens". I helped with the writing, but the plot points are hers. I can't tell you how important organization is when your story is being dictated by a six year old.

To outline or not to outline

I can't count the number of writers that I've heard in various forums saying that they just sit down and write and "let the story take me where it will" or something like that. These people often say that they don't know how a story will end when they start writing. Now, I'm not one to cast aspersions on anyone's process. I say do what works for you, as long as it's actually WORKING.  I however, have never been one to just sit and write with no end in mind, at least not for anything longer than a blog post. That method might work for poetry, flash fiction or even short stories, but anything longer than a few printed pages and I better have an outline. This could be the fault of my high school English teacher, Rita Mullins. Aside from Mrs. Mullins many gems of literary wisdom, one of the things that she taught us that I have used the most, is how to create and work from an outline.  I don't want to brag (Yes, I do.) but as a corporate trainer, I never missed a deadline for writing training material. That was entirely due to this habit of working from an outline. Where other trainers who weren't natural writers would sit and stare at blank screens trying to come up with a plan, I would schedule a plan allowing a specific amount of time for researching, brainstorming, outlining, writing and editing and I would work that plan. Voila! Training class on time with minimal stress.

Here are some of the key things that an outline provides for me:

1) Direction: Novel writing isn't a simple as writing training manuals. Sometimes I just feel a scene and it's better to write that when I'm feeling it or it might lose its emotional punch. But if I don't want to lose my way writing from point A to point Z then an outline is a necessity. There is always room for switching items around, changing order and scrapping scenes altogether. That's why I tend to do my outline on index cards, and nerdily color code them according to plot or sub-plot. For a large project like a novel, it's a way to get a bird's eye view of the whole story. Plus it's reminder of what needs to be written next. That doesn't mean that I write scenes in order. If I'm feeling one scene I might work on that. Likewise, if I'm not feeling one, then I can check what else needs to be written and try one of those.

2) Plot Check: Working without an outline is a bit like driving on back country roads with no map or GPS. It might be a lot of fun, in fact that's one of my favorite pastimes, but unless I have some set destination in mind, I'm likely to meander about with no direction take forever to get where I'm going. A book is not like that. If you meander about too much you risk losing the reader's interest. Lengthy passages about the beauty of barns on the back roads of central Virginia might be fun  for me to write, but they're not going to turn pages. Every scene should move the plot forward, and using an outline helps me make sure of that. I can ask myself if an item in my outline moves the plot forward and if it doesn't, I can chuck it. Likewise, I can ask myself if anything is missing. Do the events in my outline motivate my characters to do what they are supposed to do? If not, what else do I need?

3)Accomplishment: There's a reason why I don't knit blankets or sweaters. It's not that I don't like them, I just don't like big projects like that. I get impatient and want to move on to the next thing. I actually get a little depressed if I don't have that sense of accomplishment that comes with finishing something every now and then. So, a big writing project like a novel or (gasp!) a series of novels can be a daunting task. Working from an outline helps me break that down to smaller more manageable tasks. I  go act by act, scene by scene and check them off as I finish drafting each one. I even go so far as to print them out and put them into a notebook in the order of my outline right behind the relevant index card or cards for that scene. This way I can look at the manuscript and feel like I'm moving forward.

As I said before, I'm not disparaging anyone's process or lack thereof. I'm just saying that the old adage "Fail to plan, plan to fail" is famous for a reason. It takes a remarkably rare talent to just sit down and write a book without knowing the direction or having the end in mind. So if you're a writer, you might ask yourself. Am I that rare creative genius that can do that, or am I a classically trained samurai?